This season of “24″ started strongly, with a first half-dozen shows that were fairly gripping: all-too-realistic suicide bus bombings, America under siege and bordering on full-scale mayhem, talk of harsh crackdowns on specifically targeted segments of the population … and then that nuclear bomb went of in an L.A. suburb. The show had my attention.
But where can a counterterrorism series writer go after a nuke blows up? This season has gradually become a wandering mess in search of purpose and direction, with less-than-satisfying characterization and a plot arc that barely resembles an arc and seems more like a random smattering of events chasing around this season’s MacGuffin, the Remaining Suitcase Nukes. The writers are throwing a ton of material at us and hoping something sticks. Some of it has worked; a lot of it hasn’t. Read the rest of this entry »